really . . .

In the series ‘really . . . ‘ arrangements of water, glass and air are layered around each other, catching light, twisting it, reflecting, warping and bouncing it back. The scenes are often so split and chopped by the jagged reflections they could be digital collages, but it’s the light on levels of water as it hits the point of viewing which reveal what it is ‘really’.

When all the materials we are looking at can be looked straight through . . . what is it we are actually seeing?